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Archaeologies of the Present

In Post by et al

The French language has the semantic attraction of offering a word play on the words voir and savoir, to see and to know, which did not escape Jean-Luc Godard. This same dialectic is also fundamental to the Interstitial Zones exhibition, where seeing is enclosed within knowing, in an ever-changing matrix of conscious and subconscious recollections. This means that the viewer has an active role in the exhibition. In contrast to the inherent character of television or film, the medium here does not disappear in what it permits us to see, but shows itself for what it is. The dialogue between …